In March 759 AD, Li Bai, a poet of Tang Dynasty, exiled Yelang because of the case of Yongwang Lin and went to the demoted place via Sichuan. When I arrived at Baidi city, I suddenly heard the letter of forgiveness and was surprised. I immediately turned around and sat down on the river boat to return to the mausoleum. After arriving at the mausoleum, I recorded the fresh impressions and feelings of this life course, I wrote a fast poem which opened my mind and made people excited and happy. This is the famous “early-onset White Emperor City”. The Emperor of the White Emperor returned thousands of miles of Jiangling one day in the colorful clouds. Cross-Strait monkeys CAW not, canoe over thousand mountains. If it was translated, Lao Bai thought it could be a modern poem: early in the morning, he left the White Emperor city in the bright clouds and clouds, and at night, he returned to Jiangling from thousands of miles away. On both sides of the Taiwan Strait, the continuous singing of the Apes came forward and responded. The Clippers had already passed through thousands of mountains to welcome them. This fast poem, also known as “the lower Jiangling”, has two characteristics which attract people’s attention. The first one is the abundant and real subjective feelings of the poet, which is very expressive of excitement and flying, so it is highly appealing. The second is to write down the fast driving speed of the river boat, which coincides with the happy mood of returning to the situation of forgiveness, making this fascinating picture of the Three Gorges flying boat, skillfully drawing readers to make a surprising aesthetic experience of the feeling of Speediness in the novel process. After more than 1,000 to 300 years of spreading this popular seven-word quatrain written by Li Bai, the great poet, Chen Xiaoqi, the leader of the Lingnan composer in the mainland music circle, wrote a song “waves and Sands” with a stroke. Among them, the third paragraph of lyrics is the further evolution of Li Bai’s poem “early White Emperor City. You can’t see your face clearly under the neon lights with the same moonlight on your shoulders. Through the net woven by years, are you willing to accompany me back to the past? The sea breeze blows gently for many years. The world under your feet has already changed and said goodbye. Yesterday, are you willing to accompany me on the stranded boat? The Yangtze River passes through thousands of mountains forever. The light boat has flew over the ape sound is still so warm and the waves have gone through all the past, but I will always treasure the old sail. In the pop music circles of Guangdong in the 1980 s and 1990 s, mr. Chen Xiaoqi is undoubtedly the most dazzling one. With his profound cultural deposits, he combines famous sentences or allusions in ancient poetry with the emotions of modern people to form lyrics, thus forming unique artistic personality and typical Chen style, it also forms a model for the creation of Chinese popular lyrics. This song “waves and Sands” is one of the outstanding representatives. I remember the first time that Lao Bai listened to this song in his youth, but in the third paragraph, he recalled the famous “the White Emperor city” of Shi Xian, thinking about standing on the bow of the boat and looking at the waves passing away on both sides, everyone should have different feelings. Li Bai is a light boat that has passed thousands of mountains. With exaggeration and whimsical ideas, it is written to be elegant and shocking. Confucius, the originator of Confucianism, would say: The dead are like a husband, day and night. And Song Dynasty writer Su Shi swipes sprinkle ink: River of No Return, lang tao do, eternal heroes. Revolutionist Zhou Enlai 19 at age lofty poem: River Song strike turn east, careful qun ke Jishi poor. Later, Lao Bai also traveled abroad and took a cruise ship to visit the river or offshore, but he never understood the feeling described by Chen Xiaoqi’s songs and Li Bai’s and Su Shi’s poems. I remember that on October 17th, 2008, laobai and his partners took a tourist ship from Guilin to Yangshuo, flowing down the Lijiang River with hundreds of miles of scenery and picturesque scenery. When the cruise ship starts, it is the moment when visitors enter the painting. The water of Lijiang River is clear and soft. From time to time, there are white waves rolling and rushing to the ship’s side, and then they disappear. There are also waves rolling and dancing. Looking at the continuous green mountains on both sides of the Strait, they are neither steep nor magnificent, but extremely delicate and concise. It seems to be the lines drawn by meticulous painting, which are depicted on both sides of the Lijiang River cleanly and clearly. On the way, Lao Bai went down from the cruise ship to the bamboo raft and stood in the wind. He really felt the wind on both sides of the Lijiang River, as if he was carrying the light moisture, which implied a moist smell. Poem: sparkling and looking open, the peaks are on both sides. shui se shan guang see, Lijiang River Bitou downwind row. (See Xiaowen “Lijiang River”) and on October 5th, 2010, Lao Baihe’s partner came to Wuyi Mountain to conduct an exciting bamboo raft rafting along Jiuqu Stream. The twists and turns of Jiuqu River runs through the peaks of Danya, like jade with string of pearls, which connects 36 peaks and 99 rocks into a whole, forming a unique natural beauty of a stream running through the mountains, and the two sides are lined with immortals. A group of six of us put on orange life jackets and rode on this primitive bamboo raft, rippling in the scenery of mountains and waters, which made us relaxed and happy like blending into the mythical realm. Young female kindergarten teachers who were in the same trade lifted water drops on the bamboo raft, feeling the freshness of the water really. This kind of bamboo raft flows in the water, and people can’t help poem: Wuyi tea tree fragrance in autumn, grass Green Stream Bay is long with clear water. Danshan foot bamboo raft light, Cresent shadows shake wave. (See Xiaowen “laughing and watching the red robe drifting”) Looking back now, what Lao Bai wrote reluctantly was just Limerick, which was a tourist commemoration. If you want to truly feel the artistic conception of the 90,000 miles of Yangtze River crossing thousands of mountains in Chen Xiaoqi’s lyrics and Li Bai’s one-day return of thousands of miles of Jiangling, you should have the opportunity to visit the Three Gorges of the Yangtze River in person. Recently, because he wanted to write a series of articles on “poems and songs”, Lao Bai listened this song of Chen Xiaoqi several times again and tasted this song carefully. Only then did I know that there was a big deviation from the previous ideas. The songs were filled with nostalgic, light sadness and Distant Fragrance of culture, which were as soft as lyric poems and went straight into the depth of my heart with shame. The sea breeze blows gently. After many years, the world under your feet has already changed. My memory seems to go back to the long time, those years, those past events, those simple and gentle friendship. Looking around, everyone has several favorite old songs hidden in their hearts. What is recorded in the old song is the youth that is hard to go back, and some people and things in those years. Through the net woven by years, when we sing softly, our thoughts have already flied back to the past. In fact, this song of Chen Xiaoqi is not intended to express that the boat has already flew, and the voice of the ape is still so warm and cheerful, but more to express that all the past events in the big waves have been found out, but I will treasure it forever, the emotion of that young sail is actually the best youth mark for a generation. However, every time we are deeply attached to these old songs, in fact, we are more filled with attachment and reluctance to the lost youth. Old songs are just a carrier, which is full of our beautiful emotional memories. The past heart, the tears, the back, the passionate youth are just like our attachment and memory of yesterday, today and today, why is it not the page we will not give up tomorrow? Thinking of a love poem written several years ago, it may match the lyrics of Chen Xiaoqi. The poem is called “my Harbor”, and now three paragraphs are extracted as the end of the article. The ship sailed out and the water flowed slowly. Looking back at you, I have been standing quietly on the other side of the coast. With a long cry, I felt a lot of sadness in my eyes. Since then, I have added a kind of yearning and expectation. When my voyage encountered countercurrent dangerous beach, when my Hull suffered from the heat and cold, I was fearless and calm. Because in my heart, I have a firm belief that you have become my harbor. My world will never be lonely again. No matter where I go, no matter how far I sail, I will not lose my way, let alone run aground in a foreign country. Your signal lighthouse will always illuminate my route.

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